A tricky out-of-area mission for Peter Lohmeyer alias Chief Inspector Jan Fabel in his fourth case: in the hustle and bustle of Cologne Carnival, of all things, the introverted hamburger has to chase a serial killer and stop a colleague from going it alone. Lisa Maria Potthoff plays the policewoman Maria, whose traumatic experience turns into a blind thirst for vengeance, Stipe Erceg can be seen in the role of the burned-out top chef and Murathan Muslu as a macho criminal. The lost souls are what make this bestseller film adaptation by the author Craig Russell, which is extremely exciting right up to the last second.

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It is a terrible disaster! Due to a series of wrong decisions, the ferry Castor gets caught in a sea storm and sinks. The tragedy is already foreshadowed in small details: first there is an hour-long delay before departure, then some trucks are not properly secured and on the bridge there is a heated discussion between Captain Eriksen and his deputy van Damme about how to deal with the storm warning received. The captain's sudden heart attack complicates the situation. The next day, it is learned ashore that the Castor has sunk. Herwegh, the head of the commission of inquiry, then tries to find out who is morally responsible for the disaster and who the real culprits are. In the process, several human dramas unfold...

Second TV movie to precede the German series Der Clown (1998-2001). On the grave of his parents, who disappeared under terrible circumstances, Max Zander vows to fight crime and terrorism for the rest of his life. He becomes one of the best agents in an elite intervention group. During a dangerous mission, his best friend is killed before his very eyes. To defend the law and justice, he decides to die and be reborn as a ghost: the Clown is born. Max Zander is the Clown!

A woman flies to South Africa for the funeral of her younger sister, whom she loved but had rarely had a good relationship with.

Some days she imagines that by her sheer will she can make body parts fall off of people who seem vicious to her. And some other days e veryone around her looks beautiful. And when she was little, she wished that flowers would grow out of her footprints." - Gasmask The film is not only about saving mice or refusing bananas or making sacrifices against the hypocrisies of the daily life in the „spoiled and cultivated“ parts of the world. It is also about a person with red arms, who is entering the desert of her conscience to find out whether and how she can be a good human. 　　DIRECTOR'S STATEMENT 　　How and which sacrifices are necessary to be a good person are the central questions of this work. Big subjects indeed, but they do play a role in our daily life activities and decisions. Of course there are no clear answers to this. Most situations in life are ambiguous. It is often hard to know what is actually right and what is true. It always requires a deeper understanding of the matter and also it depends strongly on the perspective one has on it. But it always worth reflecting on those things, right? So here it is, a short and on the first glance superficial, colorful and noisy splashing out of spontaneous thought from a character that lives in the "spoiled, privileged and cultivated" part of our world. The protagonist is aware of the hypocrisies and the contradictions of herself and her surrounding. At times she feels the power of a wild animal, then she struggles with her inner child, but she also listens to the wise camel. In all of that she is trying to improve, she is fantasizing herself into possibilities of a better world, of which she knows that it is possible. She sees it with her own eyes when she visits this garden of peace and love. It doesn't seem like a ridiculous dream but she realizes that it can only exist if she is not there. This state of desire and the impotence of fulfilling it are creating a state of bipolarity of the mind which meanders between total numbness and ignorant bliss on the one side and frustration and emotional hysteria on the other. The mix of materials, the sharp changes of pacing and scenes, the bold colors and sounds in the animation are all a try to condense this state of being into a form that communicates to the knowledge and understanding from the senses and emotions rather than to the need for logical solutions as there are probably non for these questions.

Some days she imagines that by her sheer will she can make body parts fall off of people who seem vicious to her. And some other days e veryone around her looks beautiful. And when she was little, she wished that flowers would grow out of her footprints." - Gasmask The film is not only about saving mice or refusing bananas or making sacrifices against the hypocrisies of the daily life in the „spoiled and cultivated“ parts of the world. It is also about a person with red arms, who is entering the desert of her conscience to find out whether and how she can be a good human. 　　DIRECTOR'S STATEMENT 　　How and which sacrifices are necessary to be a good person are the central questions of this work. Big subjects indeed, but they do play a role in our daily life activities and decisions. Of course there are no clear answers to this. Most situations in life are ambiguous. It is often hard to know what is actually right and what is true. It always requires a deeper understanding of the matter and also it depends strongly on the perspective one has on it. But it always worth reflecting on those things, right? So here it is, a short and on the first glance superficial, colorful and noisy splashing out of spontaneous thought from a character that lives in the "spoiled, privileged and cultivated" part of our world. The protagonist is aware of the hypocrisies and the contradictions of herself and her surrounding. At times she feels the power of a wild animal, then she struggles with her inner child, but she also listens to the wise camel. In all of that she is trying to improve, she is fantasizing herself into possibilities of a better world, of which she knows that it is possible. She sees it with her own eyes when she visits this garden of peace and love. It doesn't seem like a ridiculous dream but she realizes that it can only exist if she is not there. This state of desire and the impotence of fulfilling it are creating a state of bipolarity of the mind which meanders between total numbness and ignorant bliss on the one side and frustration and emotional hysteria on the other. The mix of materials, the sharp changes of pacing and scenes, the bold colors and sounds in the animation are all a try to condense this state of being into a form that communicates to the knowledge and understanding from the senses and emotions rather than to the need for logical solutions as there are probably non for these questions.